Seymour Solomon, one of the co-founders of Vanguard Records, a arch absolute characterization best accepted for its recordings by top American folk artists in the 1950s and ’60s, has died. He was 80.
Solomon died Thursday in Lenox, Mass., area he maintained a summer home. Cause of afterlife was not announced.
With a $10,000 accommodation from their father, Solomon and his brother, Maynard, started Vanguard in the 1950s as the larger, long-playing annal began to beat 78 rpm annal in the marketplace.
Vanguard became accepted for bearing albums of top quality. The label’s adage became “Recordings for the Connoisseur,” and its all-embracing archive lived up to that billing.
Vanguard started as a classical label, but the Solomons–politically alive and committed intellectuals–were not against to adorning the ambit of their characterization and demography some risks to accomplish that goal. Perhaps the best archetype of that came in 1956, back they accountant a band of the 1955 Carnegie Hall concert by a folk accumulation alleged the Weavers.
In the aboriginal 1950s, the Weavers had some absorbing hits in the pop-folk brand for Decca Records, but disbanded in 1953 afterwards Pete Seeger, one of the group’s members, was cited for antipathy of Congress for abnegation to affirm afore the House Un-American Activities Committee.
The 1955 concert, which apparent the acknowledgment of the Weavers to performing, was a analytical and aesthetic success, but the political altitude fabricated abounding labels afraid to absolution the recording. The Solomons purchased the rights, and the almanac became a huge hit. Abounding music experts say that the concert and consecutive recording apparent the awakening of folk music in the United States.
Vanguard’s success with the Weavers album–and the acceptability it developed for acceptance a acceptable accord of aesthetic freedom–led to the signing of added folk stars, including Joan Baez, Phil Ochs and Richard and Mimi Farina.
In the 1960s, Vanguard began recording alive concerts, including the Newport Folk Festival, and after spearheaded a improvement in dejection music by recording performers such as Mississippi John Hurt, James Cotton, Junior Wells and Charlie Musselwhite.
Born in New York City, Seymour Solomon advised violin at Juilliard and served in the Army Air Corps orra during World War II. Following the war, he advised music at New York University, wrote criticism for several music magazines, and was a music analyst on several New York radio stations.
Solomon’s aboriginal adventure in recording came back he catholic to Europe with a band recorder in 1950 and captured bristles Bach cantatas performed by the Vienna Philharmonic and the Vienna State Opera. These became the aboriginal recordings for his Bach Guild Label.
The Solomon brothers founded Vanguard after that aforementioned year. They adapted into added a music in the 1970s and ’80s. Then, in 1985, they awash the characterization to the Welk Almanac Accumulation run by Larry Welk, the son of bandleader Lawrence Welk.
Seymour Solomon after began accession label, Omega Classics. He eventually bought Vanguard’s old classical backing from the Welk Almanac Accumulation and re-released abundant of it on bunched disc.
In accession to his brother, Solomon is survived by three daughters, a stepson, a sister and nine grandchildren.
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