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Trevor Paglen, The Aftermost Pictures and the Gold Artifact, 2013, categorical gold argent deejay and HD video.

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Trevor Paglen has been authoritative some of the best affecting photographs and sculptures about surveillance technology of our era, such that he won a MacArthur “genius” accolade aftermost year. With surveys of Paglen’s assignment currently on appearance at the Smithsonian American Art Museum in Washington, D.C., and the Museo Tamayo in Mexico City, we are republishing a abode on the artist’s activity The Aftermost Pictures, for which Paglen crafted a disc that was micro-etched with 100 photographs and beamed it into amplitude via a satellite. Originally accounting for the November 2012 affair of ARTnews, Robin Cembalest’s abode on the activity appearance Paglen’s musings on the problems of conceptual art and the action abaft authoritative the work, which was commissioned by the alignment Creative Time. The allotment follows in abounding below. —Alex Greenberger

“Alien Nation”By Robin CembalestNovember 2012

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Maybe at some point in the approaching an conflicting will blunder on a allotment of amplitude clutter from a galaxy far, far away. The object, conceivably still ensconced in its gold-plated aluminum cover, is a silicon disc anchored with analytical engravings. Like the French adolescence who apparent the cavern paintings at Lascaux, conceivably the conflicting will apperceive its acquisition as article actual appropriate and will analyze its arrangement for what they say about the alien ability that fabricated it.

Maybe not.

Even Trevor Paglen, the artisan who spent bristles years acrimonious 100 images to ample this space-bound time capsule, devising a acknowledgment abode that doubtful activity forms ability understand, and creating a amalgamation that could survive billions of years, admits that the achievability of extraterrestrials finding—much below interpreting—his silicon antiquity is not so good.

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Nevertheless, the agents of the public-art nonprofit Creative Time, forth with the MIT students, scholars, scientists, and satellite-corporation admiral who helped Paglen forth the way, accustomed the process. That’s how the artist’s disc concluded up absorbed to the EchoStar XVI, a communications accessory confined Dish Network subscribers that is appointed to barrage from Kazakhstan this fall.

Glimpses of America, American National Exhibition, Moscow World’s Fair, 1959. This photograph is one of 100 that was featured in Paglen’s activity The Aftermost Pictures.

COURTESY THE ARTIST AND METRO PICTURES

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If the calculations of Paglen’s aggregation are correct, his little annal will survive best than bodies or Earth, authoritative it the farthest-traveling, longest-lasting artwork in the history of history. This represents one behemothic bound for Creative Time, whose antecedent forays into amplitude accommodate hiring crop dusters to advance Vik Muniz’s billow assets aloft Manhattan and staging Tom Sachs’s earthbound boating to Mars in the Park Avenue Armory.

The alignment capital the animal admirers to see The Aftermost Pictures too, so it aggregate the images in a book. Recently, the aggregate (copublished with the University of California Press) was launched in Manhattan, below the stars, at a accessible chat amid Paglen and Werner Herzog. The antagonism seemed obvious, aback the curmudgeonly blur administrator shares so abounding obsessions—cave art, frontiers, cipher cracking— with the artist, who describes himself as a “cultural geographer.” Still, I was a little afraid for Paglen, accepting afresh apparent Herzog at the Whitney, area (at an accident staged to accompany with the Biennial, which he was allotment of) he had denounced conceptual art and insisted that it would never angle the analysis of time. And actuality he was, discussing a conceptual art activity that’s declared to aftermost best than we do.

Predictably, Herzog did not like the “Star Trek mentality” that suggests that aliens as we brainstorm them absolutely exist. But he played forth with the concept, acknowledging the attendance of bodies in Paglen’s mix and admonishing adjoin application art to acquaint with beings that abridgement afterimage as we apperceive it. “How,” he queried, alone partly rhetorically, “will aliens see your Paul Klee?”

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But then, we can’t see the Klee either. It’s the characterization added to the aback of Klee’s 1920 watercolor Angelus Novus that begins Paglen’s 100 images, which arise after any text. The captions, such as they are, are in an appendix. There, we apprentice that this picture, afore it was affiliated by the Jewish mystical philosopher Gershom Scholem, was endemic by Walter Benjamin, who discussed it in his Theses on the Philosophy of History, accounting anon afore he died while beat the Nazis in 1940. Benjamin declared Klee’s angel as attractive back, be- captivation a abundant catastrophe.

Greek and Armenian Orphan Refugees Experience the Sea for the First Time, Marathon, Greece. This photograph is one of 100 that was featured in Paglen’s activity The Aftermost Pictures.

COURTESY THE ARTIST AND METRO PICTURES

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Clearly, we’re not in Carl Sagan area anymore. The optimistic we-are-the-world affection of the Voyager Golden Record, launched 35 years ago, is boilerplate present in The Aftermost Pictures. The book is a perverse, obscure, awe-inspiring, heartbreaking, brain-twisting alternative of images, adopted from libraries, databases, and archives, that arise in a progression Paglen describes as a bashful blur or a poem. The arrangement of black-and-white reproductions has the abstracted affection of a Chris Marker movie, area the documentary photos arm-twist science fiction, and the science fiction—like the set of Escape from the Planet of the Apes—seems real.

The presumptive abundant achievements of humanity—space travel, avant-garde art—come off as bizarre and obsolete. Ai Weiwei shows up, giving the feel to the Eiffel Tower. For every attack at communication, there is a misstep, like the Tower of Babel (rendered by Pieter Bruegel the Elder) or Esperanto’s also-ran, Volapük. Global warming, automated pollution, and man’s abomination to man are bidding in deviously airy images of prisoners of war and accouchement askew by Agent Orange. Abundant sea creatures, like the bang and the shark, are bound in aquariums. Others are farmed or cloned or genetically altered. The bake-apple fly has legs area its antennae should be. Even bodies are apprenticed into account in a barbarous piano.

If Earth hasn’t been absolutely destroyed by the time aliens acquisition this, these images could accomplish them appetite to accomplishment the job.

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As black as all this is, it’s adorning to anticipate of all the bodies who came calm to get Paglen’s disc accessible for liftoff: anthropologists and philosophers; cerebral scientists and aerospace engineers; experts in breakthrough nanostructures, abstracts science, bulletin encoding, and more.

As several of these specialists accomplish bright in the book, none had illusions about communicating with aliens. But they threw themselves into this benevolent art activity anyway.

This close adorableness of the authoritative of The Aftermost Pictures is the absolute acumen it works as accessible art. No amount what happens in alien space, Paglen has been colonizing close amplitude all along.

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A adaptation of this adventure originally appeared in the November 2012 affair of ARTnews on folio 46.

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